Disclaimer: There was a ton of good music released in 2011, and I’m a busy man. Thus, I missed a few albums that should probably be on this list. Here are my favorites of the albums I did come across. Also, I feel that some of the big releases of the year got enough attention on their own, so I didn’t spend too much time with the albums from Wilco, The Black Keys, Death Cab For Cutie, and My Morning Jacket. And I’m still not buying into that whole Bon Iver thing. Here goes!
1. “The King Is Dead” The Decemberists
Try These First: Don’t Carry It All, Down By The Water, Don’t Carry It All, All Arise!
From the stomping drums and harmonica blast of the first track, this album put its hooks in me and has yet to release. With the right mix of full-band anthems and folky acoustic ballads, lead singer Colin Meloy and gang have given us a solid rock album soaked in rich vocal harmonies and authentic lyrical imagery. I think this album has more attitude and less story-telling than their previous offerings, and so while I am always a sucker for a good story, I think each individual track on the album carries enough weight without relying on over-arching concepts. If you like crisp acoustic guitars, folk-rock anthems, driving percussion and an abundant supply of fiddle, accordion and harmonica, then The King Is Dead is for you.
2. “Little Hell” City & Colour
TTF: We Found Each Other In The Dark, Little Hell, Fragile, Grand Optimist
Dallas Green, you’ve done it again. The one-man band (he was named after the former manager of the Phillies) has enjoyed a nice career after his days as the front man of Alexisonfire, and Little Hell certainly continues the trend. Perhaps the strongest aspect of this album is Green’s voice, and on this offering he really shows his range. There are a variety of arrangements on the record that seem to run the gamut from the introspective to the more lively and all tracks are heartfelt and honest. And according to this humble opinionist, that’s all you can ask. Overall, Little Hell is a solid modern blues rock album featuring one of the most memorable voices I’ve heard in a while.
3. “Major/Minor” Thrice
TTF: Anthology, Treading Paper
Oh, Thrice, how you break my heart with this one. In the same year as the release of Major/Minor, the California-based progressive-rock band announced its indefinite hiatus. So, if this album is the last we hear from them for a while, at least we got a good one. I’ve always admired lead singer Dustin Kensrue’s incredible song-writing talents, and with this album I think you get his best. This is a band that’s been together a while and I think this album is a superb reflection of all the great parts of their previous works (long-time Thrice fans will pick up on all the references made in ‘Anthology’). Kensrue’s lyrics are stellar as usual and his voice sounds a bit more soulful, while still retaining that classic workman-like rasp. And lead guitarist Teppei Teranishi’s guitar work just packs one punch after another, I cannot believe the amount of quality work he has put in over the years. Front to back, this is a great album and I hope Dustin and co. come back soon.
4. “Passenger” Lisa Hannigan
TTF: Home, A Sail, O Sleep feat. Ray LaMontagne, Passenger
Hannigan’s second album is a real treat. While some might only recall her as the counterpart to Damien Rice for a number of years, she has done well enough in her solo career to deserve praise independent from the enigmatic Irishman. Passenger is a solid next step from her debut Sea Saw, and one that has range. The light, poppy tracks are here (Little Bird, Passenger), but so are the deeper, more fully-developed ones (Home, A Sail). Her voice is nothing short of gorgeous, so while admittedly I’d listen to her read the phone book, it’s nice to hear a more emotionally-complex side of her. If you need further convincing, Ray LaMontagne makes an appearance on O Sleep.
5. “The Big Roar” The Joy Formidable
TTF: Whirring, The Everchanging Spectrum Of A Lie, The Greatest Light Is The Greatest Shade
While some of these tracks can be found on a 2010 EP, The Big Roar is their first full-length, and quite simply, an awesome one. Don’t be fooled by the size of the band; though with just three members, the entire album certainly lives up to its name as something joyous and, well, formidable. With a great collection of infectious hooks and beats (pay attention to the double bass drum), this band could be your typical flash-in-the-pan, pop-rock trio (especially with Ritzy Bryan as its blonde and spunky female lead singer), but I think the real value lies in some well-placed lyrics in each song. Bryan’s song-writing reflects a restless, and at times broken, heart and it is with the driving guitar, thick bass, and pounding drums that she seems to emerge on the other end of the great 20-something struggle with something quite optimistic. And, fun! Play this album as loud as you can.
6. “CAMP” Childish Gambino
TTF: Outside, Bonfire, Kids
What? Troy from NBC’s Community released a hip-hop album? Yes, indeed. And it’s good. Donald Glover got his rap pseudonym from an online Wu-Tang Clan band name generator, and his debut full-length is thrilling from start to finish. Primarily, Glover is a brilliant lyricist and you’ll often find yourself catching your breath trying to keep up with his witty and clever wordplay. But more than just a talent with words, he’s writing from a place of insecurity, where he’s trying to juggle all the aspects of his life and at the same time find some due respect and acceptance. He gives us a much-needed break from the watered-down hip-hop machine, and while he does rap about girls and getting money, the focus on this album lets us in on a more personal side of a guy who’s had some career success, yet is still trying to find some validation. Give this album a listen and you’ll be hoping Abed features on the next one.
7. “One Day Die” Matt Duke
TTF: M.L.T., Love You Anymore
I’ve enjoyed following this South Jersey native’s career from his early days playing at an ice rink I worked at while in high school and am impressed with his third full-length release. To me, this one is a continuation of Duke’s evolution from the soft, acoustic singer/songwriter style of his debut Winter Child to an edgier and heavier style found on Kingdom Underground. While I’m still undecided whether I like that one or One Day Die better, there’s no denying the quality lyrics and arrangements on this one. Duke draws a lot from literature, and it’s always a pleasure to listen to him match smart songwriting with intricate guitar playing, and the band he plays with only enhances the overall sound. The piano and rhythm section on Love You Anymore are hauntingly infectious, and Needle and Thread is a fun interpretation of the age-old “young and invincible” feeling we all get every once in a while.
8. “Barlande” Pedro Soler & Gaspar Claus
TTF: Insomnio Mineral, Caballitos De Mar (Alegria)
Admittedly, I’m not an expert on the intricacies of flamenco guitar and the cello, but if this album is my baptism, then I’m a convert for life. This father (Soler, on guitar) and son (Claus, on cello) duo have given us an extremely rich offering that is as easy to listen to as it is complex. The detail and texture with which the two play speak to the vast tradition of both instruments and styles, and yet the album as a whole has a very modern sound. Put this on and close your eyes and there’s no way you won’t imagine yourself in some big European villa with a 73-year old man playing in a beautiful flamenco style while his 28-year old son passionately coaxes some emotive notes from his cello.
9. “I Am Very Far” Okkervil River
TTF: We Need A Myth, The Valley, White Shadow Waltz, Rider
Okkervil River’s latest offering might be their most accessible and is certainly a turn from what we’ve been used to. It’s interesting to listen to IAVF and not have to follow such an obscure style of storytelling that exists on their previous albums, but I think this one works all the same. It’s a rock album for sure, but one that still requires a certain amount of attention to fully understand what lead singer Will Sheff is driving at. And that’s probably why I give a thumb’s up to this one; you can put it on and play treasure hunt with the lyrics, or you can simply listen to each track and, without much effort, you’ll be head-bobbing. Also, the lyrics on We Need A Myth are simply excellent.
10. “Barton Hollow” The Civil Wars
TTF: Barton Hollow, 20 Years, Poison & Wine
In a year seemingly bespeckled with indie folk-pop releases, Barton Hollow stands out. The album features melodies ranging from the playful (I’ve Got This Friend) to the more delicate (Girl With The Red Balloon), and of course, the foot-stomping backwoods blues (Barton Hollow). The voices of Joy Williams and John Paul White go quite well together and they seem to know with each track when to back off and let the instrumentation take center stage. Their vocal versatility is impressive and the album as a whole really sounds like the two are just having a conversation. They’ve certainly gained a lot of fame this year (a song on Grey’s Anatomy will do that for you, I suppose), but I think it is well deserved. Barton Hollow is a fine spectrum of all the emotions that go into good songwriting, and I’m curious to see what they have to offer next.
11. “undun” The Roots
- Perhaps the best offering from the Philly hip-hop legends, and the one with the most to say.
12. “Kiss Each Other Clean” Iron and Wine
- Sam Beam put together a real groovy record.
13. “So Beautiful Or So What” Paul Simon
- Any kind of Paul Simon record is still better than most things in this world. Check out the title track.
14. “Smoke Ring For My Halo” Kurt Vile
- Another solid effort from a Philly-based guy.
15. “The Harrow and the Harvest” Gillian Welch
- The long-awaited offering from Welch and David Rawlings doesn’t disappoint. Beautifully played guitar and hard-hitting lyrics.
16. “El Camino” Black Keys
- Hell of a Season, Little Black Submarine. How can two guys make so much noise?
17. “Helplessness Blues” Fleet Foxes
- A good album, but the mysteriousness of the vocals that made me love Ragged Wood seem to be missing here.
18. “21” Adele
- Probably the 2011 definition of “overplayed,” but her voice is just, well, you know. It’s good.
19. “I’ll Never Get Out Of This World Alive” Steve Earle
- Some say Mr. Earle is mailing it in, I say there’s some gems on this one. Try “Waitin’ On The Sky” and “This City.” Also, “Every Part Of Me” is my favorite of the album, classic Earle songwriting.
20. “Divine Providence” Deer Tick
- A cut from the Dr. Dog/Delta Spirit cloth and the fact that they’re from Rhode Island just makes the album name that much better.
Rest of the Best (in no particular order)
- “The Whole Love” Wilco
- “All Eternals Deck” The Mountain Goats
- “Dye It Blonde” Smith Westerns
- “Paper Airplanes” Alison Krauss and Union Station
- “Wild Flag” Wild Flag
- “The People’s Key” Bright Eyes
- “Codes and Keys” Death Cab For Cutie
- “Circuital” My Morning Jacket
- “For True” Trombone Shorty
- “Celebration, Florida” Felice Brothers
- “Ashes & Fire” Ryan Adams
- “Dust Bowl” Joe Bonamassa
- “Salt” Hoots & Hellmouth
- “Anar” Marketa Irglova
Looking Forward to 2012
These acts are scheduled to release albums in the coming year…
- Dr. Dog
- Delta Spirit
- Green Day
- Bruce Springsteen
- River City Extension
- Anthony Green
- Good Old War
- Craig Finn


